#The Great 78 Project

[polyvinylfilms]

[meeedeee]

"...the Great 78 Project, a community effort for the preservation, research and discovery of 78 rpm #records that are 70 to 120 years old...

Through the efforts of dedicated #librarians, #archivists and sound engineers, we have preserved hundreds of thousands of recordings that are stored on shellac resin, an obsolete and brittle medium. The resulting preserved recordings retain the scratch and pop sounds that are present in the analog artifacts; noise that modern remastering techniques remove...

These preservation recordings are used in #teaching and $research...

“When people want to listen to music they go to Spotify. When people want to study sound recordings as they were originally created, they go to libraries like the Internet Archive. Both are needed. There shouldn’t be conflict here.���

#InternetArchive

#Great78Project

https://blog.archive.org/2023/08/14/internet-archive-responds-to-recording-industry-lawsuit-targeting-obsolete-media/

[ifjgh]

First Non-Romanceable NPC is the cool Hippie Teacher, North Eastly.

[paging-possum]

The detailed floral borders I can handle, the incredibly cluttered detailed backgrounds I basically signed up for. The whimsical little rhymes may just kill me

[lunar-system]

Edward Teach: The Star.

Adapted from the traditional Ride-Waite-Smith tarot, this version of the Star shows Ed kneeling down serenely by the spring of life, bare to the world, ready to heal after tumultuous events.

Stede as the Sun to follow, Izzy as the Moon can be found here.

Longer exploration of the card's symbolism under the cut.

***

The Star: Hope, openness, especially after a crisis. Renewal, healing, restoration.

Rachel Pollack writes: "This is the calm after a great change, whether it comes after a drastic planetary shift or a personal upheaval. There are still difficult times ahead, but the Star tells us to trust."

In the card Ed is depicted with a short, growing beard. Multiple personal upheavals and great changes have already happened, and he is settling into a new reality. Who is he when he is stripped from titles, uniforms and roles? In the space of the Star, he has enough trust to try and find out.

Pollack continues: "In Star, we find our inner strength and belief. The Star teaches us to accept whatever it is, to drop all our shields, to believe. The water poured out signifies healing, emotional and physical."

Ed as the Star is learning to shine his own light after witnessing Stede shine as the Sun. Trust and belief don't come easy, but as the Star he can be vulnerable enough to try again. The water flows from an infinite source, letting the emotions come and go.

Even though the Star opens up towards a bright future, Ed carries his history with him. His tattoos, pictures from other tarot cards, tell about his past:

Chest: Three of Swords, the infamous card of heartbreak. "Trust no one."

Left side thigh: the face of the Devil from the Devil card. One of the largest tattoos he has, projecting his self-image. "I'm the devil."

Right side thigh: Lobster from the Moon card, a beast that lurks under the surface, in the unconscious. "I'm the Kraken."

Right side: wolf from the Moon card. In my depiction of the Moon, Izzy stands for the wolf. Here the loyal wolf is cast to the side, left howling after the broken heart.

Belly: Ram from the throne of the Emperor, a symbol of masculine power. The placement on the lower belly suggest a trans reading of the character.

Chest, around the heart: birds from Ace of Cups, suggesting new beginnings even for a broken heart.

With his past carved to his skin, Ed is kneeling at the edge of land. One of his feet is planted firmly on the ground while the other graces the water. In Tarot, earth is often connected to the material, such as the body, and the conscious mind. Water is the element of emotions and the subconscious. At the edge of the water, Ed is in balance, grounded both in his body and in his emotions, the conscious and the subconscious. The water he pours rejuvenates them both.

TL;DR: After great personal upheavals, Ed as the Star is ready to heal and trust. He carries his past with him, but is ready to shine his own light and have faith in himself and for the future. He is vulnerable and at peace, and he is connected both to the ground and the water, nourishing them both with the water he pours.

***

Sources

Image source: Pamela Colman Smith, 1909, republished as Tarot of A. E. Waite, 2016, AGM-Urania, Germany

Text source: Rachel Pollack, A Journey of 78 Steps, 2011, as cited in the booklet for instruction and guidance of Tarot of A. E. Waite, 2016, AGM-Urania, Germany

[freshstitches]

I finally published the project for my dice roll scarf that went viral last month. If you love dice games, you'll enjoy knitting this pattern.

The color work in this project is determined by an algorithm, a set of rules that determine the final outcome. There isn't an exact set of instructions for this project. Instead, the knitter uses four 10-sided dice or a random number generator to pick the length of the colorwork in each row. 

The result is a staggered stripe sequence along the edge of the shawl. There are trillions of unique outcomes, so no two projects turn out exactly alike. The pattern uses about 500 yards of yarn in total, but the amount of each color that you'll need is randomly determined. Before publishing, I wanted to find out the minimum and maximum amount of each color required to make the project and the probability of each outcome.

The knowledge needed to calculate the yardage was a bit beyond my skill level, but my friend Mary W. Martin helped me gather this info. I used an online probability calculator to find out the probability of each unique stitch count. The results are slightly different depending on whether you use four 10-sided dice (blue) or pick a random number (yellow), but 99% of all possible results fall within a very small range. 

It was an interesting little tangent, but not hugely important to the actual knitting pattern. I can, however, confidently say there is a >99.9% chance that you'll need a 2nd skein of the main color. If you want to know more about the math, you should check out my project notes on Ravelry. 

The thick and thin striped colorwork is created with a super simple "long stitch" technique. The pattern looks great in fluffy mohair or contrasting colors of basic wool and the instructions include some basic tips for substituting yarns or changing the gauge.

Finished Size: 18 x 68” (46 x 172 cm) rectangular wrap.

Yarn: Approx. 315 yards (288 m) of MC and approx. 264 yards (241 m) of CC. Yardage may vary, see notes on yardage below and yardage chart in photos.

• Main Color (2 skeins) - JMR Studio Worsted Weight Mohair, 245 yards (225 m) per 4 oz; 78% Mohair, 13% Wool, 9% Nylon.

• Contrast Color (1 skein each, both yarns held together) - JMR Studio Fingering Weight Mohair, 320 yards (293 m) per 100g; 63% Silk, 23% Kid Mohair, 11% Nylon, 3% Polyester Held with Lavender Lune Yarn Co. Suri Alpaca, 328 yards (300 m) per 50g; 74% Suri Alpaca, 26% Silk.

Yardage: The amount of each color used for this pattern fluctuates based on the random numbers used to determine the stitch pattern. MC uses approx. 233 to 315 yards (213 to 288m) and CC uses approx. 182 to 264 yards (166 to 241m). 99% of possible results fall within a much smaller range. The Yardage Chart shows the distribution of all potential yardage outcomes.

Needles: Size 8 (5 mm) straight needles, or size needed to obtain gauge. NOTE: Straight needles work best with long stitches. Circular needles with a thin cord allow the long stitches to tighten and stretch, making them harder to manipulate.

Gauge: 12 sts x 14 rows = 4 x 4” (10 x 10 cm) square in pattern.

Other Materials: 10 sided die or random number generator, stitch marker, scale, tapestry needle.

Generating numbers: In my sample, I used four ten-sided dice (D10) to choose a number between 4 and 40 sts. If you don't have dice, you can use an online app like RANDOM.org to generate your numbers. If you follow this link, you'll get a list of 63 integers between 4 and 40. NOTE: Each time you visit the link or refresh the page, the list changes. You can also just choose numbers as you knit.

Pattern is available on my website and on Ravelry.

[reasonsforhope]

Hazel Chandler was at home taking care of her son when she began flipping through a document that detailed how burning fossil fuels would soon jeopardize the planet.

She can’t quite remember who gave her the report — this was in 1969 — but the moment stands out to her vividly: After reading a list of extreme climate events that would materialize in the coming decades, she looked down at the baby she was nursing, filled with dread.

 “‘Oh my God, I’ve got to do something,’” she remembered thinking...

It was one of several such moments throughout Chandler’s life that propelled her into activist spaces — against the Vietnam War, for civil rights and women’s rights, and in support of environmental causes.

She participated in letter-writing campaigns and helped gather others to write to legislators about vital pieces of environmental legislation including the Clean Air Act and the Clean Water Act, passed in 1970 and 1972, respectively. At the child care center she worked at, she helped plan celebrations around the first Earth Day in 1970. 

Now at 78, after working in child care and health care for most of her life, she’s more engaged than ever. In 2015, she began volunteering with Elder Climate Action, which focuses on activating older people to fight for the environment. She then took a job as a consultant for the Union for Concerned Scientists, a nonprofit science advocacy organization. 

More recently, her activism has revolved around her role as the Arizona field coordinator of Moms Clean Air Force, a nonprofit environmental advocacy group. Chandler helps rally volunteers to take action on climate and environmental justice issues, recruiting residents to testify and meet with lawmakers. 

Pictured: Hazel Chandler tables at Environment Day at Wesley Bolin Plaza in front of the Arizona State Capitol in Phoenix, Arizona, in January 2024.

Her motivation now is the same as it was decades ago. 

“When I look my grandchildren and my great-grandchildren, my children, in the eye, I have to be able to say, ‘I did everything I could to protect you,’” Chandler said. “I have to be able to tell them that I’ve done everything possible within my ability to help move us forward.” 

Chandler is part of a largely unrecognized contingent of the climate movement in the United States: the climate grannies. 

The most prominent example perhaps, is the actor Jane Fonda. The octogenarian grandmother has been arrested during climate protests a number of times and has her own PAC that funds the campaigns of “climate champions” in local and state elections. 

Climate grannies come equipped with decades of activism experience and aim to pressure the government and corporations to curb fossil fuel emissions. As a result they, alongside women of every age group, are turning out in bigger numbers, both at protests and the polls. All of the climate grandmothers The 19th interviewed for this piece noted one unifying theme: concern for their grandchildren’s futures. 

According to research conducted by Dana R. Fisher, director for the Center of Environment, Community and Equity at American University, while the mainstream environmental movement has typically been dominated by men, women make up 61 percent of climate activists today.  The average age of climate activists was 52 with 24 percent being 69 and older...

A similar trend holds true at the ballot box, according to data collected by the Environmental Voter Project, a nonpartisan organization focused on turning out climate voters in elections. 

A report released by the Environmental Voter Project in December that looked at the patterns of registered voters in 18 different states found that after the Gen Z vote, people 65 and older represent the next largest climate voter group, with older women far exceeding older men in their propensity to list climate as their No. 1 reason for voting. The organization defines climate voters as those who are most likely to list climate change, the environment, or clean air and water as their top political priority.

“Grandmothers are now at the vanguard of today’s climate movement,” said Nathaniel Stinnett, founder of the Environmental Voter Project.

“Older people are three times as likely to list climate as a top priority than middle-aged people. On top of that, women in all age groups are more likely to care about climate than men,” he said. “So you put those two things together … and you can safely say that grandma is much more likely to be a climate voter than your middle-aged man.” 

In Arizona, where Chandler lives, older climate voters make up 231,000 registered voters in the state. The presidential election in the crucial swing state was decided by just 11,000 votes, Stinnett noted.

“Older climate voters can really throw their weight around in Arizona if they organize and if they make sure that everybody goes to the polls,” he said. 

Pictured: Hazel Chandler’s recent activism revolves around her role as the Arizona field coordinator of Moms Clean Air Force, a nonprofit environmental advocacy group.

In some cases, their identities as grandmothers have become an organizing force. 

In California, 1000 Grandmothers for Future Generations formed in 2016, after older women from the Bay Area traveled to be in solidarity with Indigenous grandmothers protesting the construction of the Dakota Access Pipeline at the Standing Rock Sioux Reservation. 

“When they came back, they decided to form an organization that would continue to mobilize women on behalf of the climate justice movement,” said Nancy Hollander, a member of the group. 

1000 Grandmothers — in this case, the term encompasses all older women, not just the literal grandmothers — is rooted at the intersection of social justice and the climate crisis, supporting people of color and Indigenous-led causes in the Bay Area. The organization is divided into various working groups, each with a different focus: elections, bank divestments from fossil fuels, legislative work, nonviolent direct actions, among others...

“There are women in the nonviolent direct action part of the organization who really do feel that elder women — it’s their time to stand up and be counted and to get arrested,” Hollander said. “They consider it a historical responsibility and put themselves out there to protect the more vulnerable.” 

But 1000 Grandmothers credits another grandmother activist, Pennie Opal Plant, for helping train their members in nonviolent direct action and for inspiring them to take the lead of Indigenous women in the fight. 

Plant, 66 — an enrolled member of the Yaqui of Southern California tribe, and of undocumented Choctaw and Cherokee ancestry — has started various organizations over the years, including Idle No More SF Bay, which she co-founded with a group of Indigenous grandmothers in 2013, first in solidarity with a group formed by First Nations women in Canada to defend treaty rights and to protect the environment from exploitation. 

Pictured: Pennie Opal Plant has started various organizations over the years, including Idle No More SF Bay, which she founded in 2013 alongside Indigenous grandmothers.

In 2016, Plant gathered with others in front of Wells Fargo Corporate offices in San Francisco, blocking the road in protest of the Dakota Access Pipeline, when she realized the advantages she had as an older woman in the fight. 

As a police liaison — or a person who aims to defuse tension with law enforcement — she went to speak to an officer who was trying to interrupt the action. When she saw him maneuvering his car over a sidewalk, she stood in front of it, her gray hair flowing. “I opened my arms really wide and was like, are you going to run over a grandmother?”

A new idea was born: The Society of Fearless Grandmothers. Once an in-person training — it now mostly exists online as a Facebook page — it helped teach other grandmothers how to protect the youth at protests. 

For Plant, the role of grandmothers in the fight to protect the planet is about a simple Indigenous principle: ensuring the future for the next seven generations. 

“What we’re seeing is a shift starting with Indigenous women, that is lifting up the good things that mothers have to share, the good things that women that love children can share, that will help bring back balance in the world,” Plant said...

[Kathleen] Sullivan is one of approximately 70,000 people over the age of 60 who’ve joined Third Act, a group specifically formed to engage people 60 and older to mobilize for climate action across the country. 

“This is an act of moral responsibility. It’s an act of care. And It’s an act of reciprocity to the way in which we are cared for by the planet,” Sullivan said. “It’s an act of interconnection to your peers, because there can be great joy and great sense of solidarity with other people around this.”

-via The 19th, January 31, 2024

[cyanidas]

⚠️SHSL Detective ! Kazuichi Souda 🕵️‍♂️

I'm hoping to make a small series of fun lil sprite edits with my talentswap AU that scrambles the talents of Class 77 and Class 78, and has its own weird lil story to go with it

(someday I'll think of a cool shorthand title. maybe. perhaps. as a treat. i would also like to write this story someday... we will see, since evidently im allergic to projects)

Headcanons? Headcanons for Detective Souda?

(also a lil comparison between this one and normal Kazu, and some AU info)

For this AU, characters' original body types, general interests/inclinations, and much of their personality is intact - the only parts of their personality that change are things influenced by their line of work alone. A lot of who we are and who we become tends to be influenced by our interests, which in turn is influenced by our upbringing, which also influences who we are... but I intend to keep the characters as close to how they are outside of their original talents as possible.

This AU also swaps the end twists between the 1st and 2nd games, and in some way keeps original relationships (like Makoto and Kyoko's partnership, and Souda's inclination towards Sonia). Some personality aspects are allowed to bloom or forced into hiding, depending on the upbringing I imagine would have been needed to allow these talents to shine within them and rise to Ultimate status.

ok Souda Headcanon Time:

The teeth are actually natural - he has a disorder which effects a number of things but especially effects his teeth, which are sharp as a result (something that evidently exists?? tho i forget the name, and it's not as perfect as drawn here ofc but.)

I think og-Souda would have a great skincare routine, one that Detective Souda lacks, since he never gained the motivation nor inspiration to care more about his appearance in front of others. So, he has some zits.

When he was very young, he was living with his father in their bike shop, but his dad went too far one night. A worried neighbor called authorities on them after witnessing his dad's aggression. At some point, the situation tips over, and Kazu's removed from his father's custody.

The detective investigating his father's abuse took care of him, and eventually adopted him after his dad was incarcerated. New Dad was not physically abusive, and genuinely cared for his new son, but due to his line of work he wound up kind of a sad sack of a person, so he's still a pretty cringefail/wetkitten father figure.

Kazuichi would accidentally stumble across his files around the house, and witnessed far more corpses than he likely should have as a child. Terrified at first, he eventually suppressed his fears in favor of trying to become a stronger person, and insisted on applying himself to learn his caretaker's line of work... inadvertently witnessing even more death and dying than he should have, from a young age.

As a young teen, he took interest in therapy and self care, and came to realize his trauma regarding his father and his guardian / upbringing. New Dad has his full love and respect and he tries to change for his son. This kind of expands Kazu's self-respect a little, while adding new depths to his hatred/fear of violence and conflict.

Due to his new caretaker, he never went to the same schools, and lost his original friends as a result - so he doesn't suffer from the same trust issues as OG-Souda, and as a result, easily clings to the people around him and allows himself to get lost in his head a tad more often than OG.

He specializes in forensic investigative work, because his brain is still wired better for calculations, spatial reasoning, and mathematical speculation.

He also still loves learning about how things work, and now, he's especially interested in how things have happened / come to be - finding satisfaction in analyzing evidence, instead of reverse-engineering parts/machines.

He even still has a mild interest in mechanics! But he is firmly convinced that being handy and technical is nothing to boast about.

He is also now convinced that he wouldn't make a good repairman/mechanic/engineer, anything of the sort. Part of this apprehension is due to his hatred of his father.

He is still pretty timid, and jumps easily at any sudden or loud noise, is afraid of the paranormal, gets upset easily when socializing, and feels terrified when there is any perceived threat.

However, death and dead bodies are some of the things that no longer frighten him. Upset, sure, but nothing like OG-Souda. He sees dead bodies as objects to investigate and solve, as opposed to feeling the horror of seeing a deceased fellow human, or feeling too overwhelmed if it's someone he knew. Because of this, it's easy for him to get lost in his work and feel totally disconnected while investigating.

[flightybuttlass]

Preorders are open for the Tarot Supercard! 78 beautifully illustrated cards from over 50 artists, lovingly curated to help make your readings crystal clear 🔮

In addition to a portion of your purchase going towards supporting the great artists of this project, all proceeds will be donated to The Lilith Fund, a Texas-based reproductive rights organization. Preorders set to ship in late August.

Also, I can assure you that we've reached out to every artist involved for their approval and corrected our mistakes from our first attempt to roll this deck out. All our artists are on the same page, and we'll be posting charity receipts to twitter on a monthly basis ✨

[meimi-haneoka]

༻✦༺ Welcome! ༻✦༺

Last update Sept. 26th, 2024

Hello and welcome to my main blog, my little home where I share my love for Cardcaptor Sakura and CLAMP works to the world! ✨

I'm Cinzia, she/her, Italian. Aged in a barrel of hyperfixations and daydreams. You might wonder, why this blog url if this is mainly a CCS blog? Well, when I opened this blog more than 10 years ago I was heavily focused on Kaitou Saint Tail, but when I started posting more and more about CCS, at some point I realized it was too late to change url or all the links to the posts I had shared around would become broken.

Regardless! I have closely followed the serialization of Cardcaptor Sakura Clear Card ever since it began and my monthly commentary became something more when I realized the official English translation wasn't doing justice (to use an euphemism) to the original Japanese version. My friends and other fans in general were left confused and misguided by the countless translation mistakes (some to the point of changing the plot), so I started pointing them out in my monthly posts.

I also post other kind of stuff, like reports of CLAMP Spaces when they talk about CCS, or long time ago I posted summaries of interviews with the staff of the Clear Card anime. I plan to eventually translate those fully, considering my skills with Japanese language improved since then. But please remember that "English is not my first language" etc etc., so if some sentences sound weird, you already know why. Now that the manga is over, I post with irregular schedule some in-depth analysis and trivia about the story, examining one topic at a time. Despite being a CLAMP fan and loving other stories as well, I chose to focus on and dedicate myself to CCS in particular, due to time and limited mental resources. Thinking about following me? That's great, thank you! ✨ But if there's an idiom I love, it's "good fences make good neighbours", so please make sure to understand what kind of blog you're about to follow. I consider this my fandom home so additionally to those posts I mentioned above, I also unapologetically post about the ships I love. I love to analyze, I like to theorize. I don't disguise, I don't tiptoe.

I am a CCS fan born in SyaoSaku, and reborn with YunaAki, with currently a preference for the latter ones. If you're curious to know what my POV on this pairing is, you can get a very clear idea looking at my #yunaaki and #cosmos & crystals hashtags . If for any reason that's not ok with you, you're absolutely free to unfollow or even block me. In fact, I encourage you to do so. I'm here on this site to enjoy what I like, not to make anyone miserable. Unkind asks will be ignored; attempts to "lecture me" about what is acceptable and what not, what I can like and what not will probably be laughed at (I'm old for this stuff, it doesn't work with me). On the contrary, if you like YunaAki too, you'll be more than welcome here! Send me a message to share our headcanons! ✨

Now that we've cleared that up, here you can find the real reason why I wanted to make this new introductory pinned post: a convenient list with links to all my relevant posts, organized by category! I will update this list as I add new posts, so always check the date at the top for new additions! 👍

Cardcaptor Sakura Clear Card: commentary + translation differences

(started at chapter 41 because that's when I got access to ENG scans) Collected under the hashtag #translation differences . The first posts might be a bit overzealous, as I was getting the hang of it. TBA: I have a bigger project for this in the works, an easier way to browse through all the relevant translation differences, divided by chapters and volumes, starting by chapter 1 (even marked by severity).

41 || 42 || 43 || 44 || 45 || 46 || 47 || 48 || 49 || 50 || 51 || 52 || 53 || 54 || 55 || 56 || 57 || 58 || 59 || 60 || 61 || 62 || 63 || 64 || 65 || 66 || 67 || 68 || 69 || 70 || 71 || 72 || 73 || 74 || 75 || 76 || 77 || 78 || 79 || 80 || Epilogue || Short stories 01 || 02 || 03 || 04 || 05 ||

Cardcaptor Sakura Clear Card Trivia series

All about Clear Card, from the most mundane trivia to the deepest thematics presented in it. Collected under the hashtag #clear card trivia .

Clear Card Trivia 1 ~ Literary and musical references/mentions in Cardcaptor Sakura Clear Card

Clear Card Trivia 2 ~ Alice in Clockland and its meaning in Cardcaptor Sakura Clear Card

Clear Card Trivia 3 ~ Sakura's journey of growth and self-understanding throughout Cardcaptor Sakura Clear Card

Clear Card Trivia 4 ~ The most ancient Magicians of Europe, the Magic Association and their role in Clear Card

Clear Card Trivia 5 ~ Real life models of buildings featured in Cardcaptor Sakura Clear Card 🆕

Cardcaptor Sakura Clear Card Timeline

An easy-to-read timeline of the events and facts depicted in Clear Card, placed correctly in chronological order inside the bigger Cardcaptor Sakura story.

Cardcaptor Sakura Clear Card Timeline

English translations of short stories and Drama CDs

Cardcaptor Sakura Clear Card BD vol. 8 one shot

Card Captor Sakura Clear Card Arc - Drama CD part 1

Card Captor Sakura Clear Card Arc - Drama CD part 2

Clear Card manga volume 10 Special Edition bonus - Mini Book

Sakura & Syaoran parallels in CCS and TRC

Discontinued, even though I know there are more. Who knows, maybe one day I'll continue it! Collected under the hashtag #syaosaku parallels .

1 ~Hands~ || 2 ~Pinky Promises~ || 3 ~Hugs~ || 4 ~”Tell me”~ || 5 ~Desperate hug~ || 6 ~Scream and shout~

CLAMP Space reports

Reports and in some cases translation of entire chunks of conversation from CLAMP Spaces on Twitter. These are all the bits relative to CCS/Clear Card and there's lots of insights/production process tidbits on Clear Card.

July 30th, 2021 || September 5th, 2021 || March 27th, 2022 || April 4th, 2022 || August 7th, 2022 || October 24th, 2022 || November 8th, 2022 || December 28th, 2022 || January 4th, 2023 || May 5th, 2023 || January 8th, 2024 || April 1st, 2024 ||

Interviews with the Clear Card anime staff and cast

Highlights and recaps of the interviews released during the period of broadcasting of the Clear Card anime. If you want to know what kind of feelings and ideas Clear Card was made with, as well as the origin of the 25th anniversary project (which turned into Clear Card), check these out. I plan to translate these entirely, so this list is only temporary, waiting for the complete interviews.

Interview with CCS Clear Card producer Chiyo Kawazoe in Animage 12/2017

Morio Asaka x Sakura Tange interview in Newtype 05/2018

Highlights of Morio Asaka’s interview in the Starter Book

Interview with Yukana (Meiling’s VA) in Animage 06/2018

Interview with Sakura Tange and Motoko Kumai in Animage 07/2018

Interview with Sho Saito (Nakayoshi editor) and Nozomi Matsuura (CCS copyrights manager) in Animedia 07/2023 (full interview)

Other random stuff collected under hashtags:

My fanarts

My fics for YunaAki (to be moved soon)

Enjoy your stay! ✨

[kirame90]

SniperSpy lives happily ever after (FINALE)

Well. SniperSpy's Great Misadventures has finally come to its end. I'm not going to lie, I will miss this project so damn much but at the same time I couldn't be happier I got to tell the story I wanted and give my dearest darlings the ending they deserve. This is the ending I always wanted to give them and this is the ending I always had in mind with each chapter.

Thank you so very much to those who reblogged this comic along the way.

To celebrate the LGBTQ+ month the charity of June 2023 shall be Outright International

Outright International works with partners around the globe to strengthen the capacity of the LGBTQ+ human rights movement, document and amplify human rights violations, and advocate for inclusion and equality. You can find their global projects here

The characters don't belong to me, the artwork does.

First part / Previous part

All dem other parts:

Part1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Part 9

Part 10

Part 11

Part 12

Part 13

Part 14

Part 15

Part 16

Part 17

Part 18

Part 19

Part 20

Part 21

Part 21,5

Part 22

Part 23

Part 24

Part 25

Part 26

Part 27

Part 28

Part 29

Part 30

Part 31

Part 32

Part 33

Part 34

Part 35

Part 36

Part 37

Part 38

Part 39

Part 40

Part 41

Part 42

Part 43

Part 44

Part 45

Part 46

Part 47

Part 48

Part 49

Part 50

Part 51

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Part 53

Part 54

Part 55

Part 56

Part 57

Part 58

Part 59

Part 60

Part 61

Part 62

Part 63

Part 64

Part 65

Part 66

Part 67

Part 68

Part 69

Part 70

Part 71

Part 72

Part 73

Part 74

Part 75

Part 76

Part 77

Part 78

Part 79

Part 80

Part 81

Part 82

Part 83

Part 84

Part 85

Part 87

Part 88

Part 89

Part 90

Part 91

Part 92

Part 93

Part 94

Part 95

Part 96

Part 97

Part 98

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Part 100

Part 101

Part 102

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Part 105

Part 106

Part 107

Part 108

Part 109

Part 110

Part 111

Part 112

Part 113

Part 114

Part 115

Part 116

Part 117

Part 118

Part 119

Part 120

Part 121

Part 122

Part 123

Part 124

Part 125

Part 126

Part 127

Part 128

Part 129

Part 130

Part 131

Part 132

Part 133

Part 134

Part 135

Part 136

Part 137

Part 138

Part 139

Part 140

Part 141

Part 142

Part 143

Part 144

Part 145

Part 146

Part 147

Part 148

Part 149

Part 150

Part 151

Part 152

Part 153

Part 154

Part 155

Part 156

[blairx-bitch]

BG3 Tarot Update!

12 people so far have responded to the form- tysm!! Those who prompted in for the tag list I will begin that soon, but for now I'm gonna just post this update.

°‧★ Anyone new seeing this post, quick rundown is I'm making a fully functional 78 card tarot deck around things from bg3. I post all my updates under #bg3 tarot on this blog! ☆⋆｡

PLEASE NOTE: From here, card designs contain companion ending spoilers !!

I've began working on both The Lovers card (aylin x isobel) along with The High Priestess (selunite shadowheart). Finalized designs will be posted once done and the designs will probably be fixed slightly before I release the entire deck, which will take a VERY long time btw.

More information on some design decisions, major arcana lineup, how i will distribute the decks +more!!⬇️⬇️

First off, another huge thanks to the people who responded to my form!

Back Design:

The decision of the gold + purple was reinforced through the responses with over 50% of responses voting for it.

There was also some helpful feedback given too, I really appreciate it! I'll likely tweak some colors and the center design slightly and post it on the next update

Frame Design

Complex won by far, and I totally agree. This is pretty much final with a bit of room for color and symbol tweaks for consistency between the back and front of cards. Lots of great feedback on this once again, thanks!

Major Arcana line up!

This is probably the biggest decision for this project, and the lineup two won in the polls with 66.7% voting for it. So, what does those mean? It means that as I shuffle around the minor arcana placements a bit (which are set but not finalized or released) I'm now able to provide more diversity of characters in the cards. Minor arcana will be the next big poll, stay tuned!

Below is details on line up two :)

Lastly...how will these decks turn to physical form?

I've done lots of thinking on this, and once more, this info is not final! Due to my distrust and/or lack of funds for the several large manufacturers I have looked into, I will likely make the decks by hand and sell them on my etsy. I've found several methods that which i am yet to test in the upcoming months that would ideally make a high quality and similar product to if I followed through with a large manufacturer such as mpc. Pros to this would be I can better manage the quality and design of this, and it may actually be more cost wise for me while still making a good product. Cons, it's extremely time consuming. This means I'll probably have to make smaller batches to sell than I would with a manufacturer and have them be spaced out, along with opening my shop over the summer as I have no time otherwise (I am a student)

Anyways, my main worry is the designs right now. More updates on this later :))

Concepts? Questions? Ideas? Want to be added to the taglist?

PM me or comment! I'm happy to answer

[rjzimmerman]

I'm going to invite these scientists to our house and yard. We have dozens and dozens of grackles at our feeders, making their grackle noises and bullying away our other "resident" birds. But in case they're right, here's an excerpt from an Audubon story:

As people have remade the American landscape, they’ve also shaped the fortunes of Common Grackles. The iridescent blackbirds flourished in the grain fields and pastures that European settlers cultivated after cutting down forests in the 18th and 19th centuries. By the 1970s, an estimated 150 million grackles inhabited a vast stretch from the East Coast to the Rocky Mountains, and today they are regulars across much of the continent. But the birds are disappearing—and no one knows why. A new tracking project aims to reveal what’s driving the mysterious decline.

Birders were among the first to gather evidence of the species’ troubling trajectory. In winter, grackles join Red-winged Blackbirds, European Starlings, and other birds in giant swirling congregations. Audubon’s annual Christmas Bird Count (CBC) long tallied roosts of up to tens of millions of birds. But in the past couple of decades, participants have rarely found flocks of more than a few million, says former CBC director Geoff LeBaron. Other blackbirds are in decline, too, but grackles have become noticeably absent from winter roosts.

According to CBC data, Common Grackles have been dropping at a rate of 3 percent per year, which amounts to a roughly 78 percent decline since 1970, says Tim Meehan, a quantitative scientist at Audubon. Meanwhile, federal Breeding Bird Surveys, which take place each summer, have found at least a 50 percent decline over the past half century. These data clearly indicate that there are fewer grackles across the board, Meehan says: “It’s a slam dunk.”

Michael Ward, a University of Illinois biologist, is one of the lead scientists delving into the conundrum. In 2021 he and his colleagues ruled out a hunch that grackles were failing to produce young: 60 percent of chicks in nearly 200 nests that he monitored fledged successfully, a higher rate than most songbirds achieve. Whatever is harming grackles is likely affecting adults, Ward says.

It’s possible the resourceful foragers, which eat everything from grubs to grains to garbage, are exposed to something dangerous in their diet. The researchers suspect insects and corn could be hazardous meals: Both may contain high levels of neonicotinoids—insecticides commonly applied to grains that have been linked to a decline in avian biodiversity in North America and beyond. Ward’s group plans to study what grackles eat on their breeding grounds to help determine how great a risk their food poses.

Meanwhile, the scientists want to better understand the challenges grackles face after leaving their breeding grounds. In addition to stringing up mist nets to snag birds in residential neighborhoods and at roost sites, Ward and U.S. Fish and Wildlife Service biologist Kelly VanBeek set live traps baited with seed and mealworms at Southern Wisconsin Bird Alliance’s Goose Pond Sanctuary. They outfitted 14 Common Grackles with satellite tags throughout the summer and early fall of 2023 as the birds prepared to depart for their wintering grounds in the Southeast and southern Midwest.

On those journeys, VanBeek says, there are plenty of opportunities for the migrants to encounter other possible chemical culprits like fungicides, which may disrupt birds’ hormones and metabolism and are typically applied in the fall when grackles are on the move. Blackbirds’ penchant for foraging on farmland in large flocks makes them a target for culling as well. Between 1974 and 1992, the federal government killed up to 18 million Common Grackles in Kentucky, Tennessee, and Alabama to reduce damage to agricultural crops. The pace has slowed, but the practice continues: Wildlife Services, a USDA division, killed more than 630,000 Common Grackles over the past decade. That’s on top of birds taken by farmers under FWS permits.

[tastydoge]

Last month, I participated in Sicktember!

I wrote 27 fanfictions total in the Don't Starve fandom. It took me about three months to write them all, and I'm still missing three days. It was really hard and time consuming, and I lost a lot of sleep for it, but it was fun.

I put them all into a series for ease of access, and here's a link to that:

Below the cut are links to all of the individual fics w/ their prompts & the involved characters. Hope you find something you like!

Day 1: “I’m not hungover, I’m just sick” (Or vise versa) - Woodlegs

Day 2: Too Much of a Good Thing/Overindulgence - Webber & Wanda

Day 3: Campus/Con Crud - Wanda/Wickerbottom

Day 4: “Great. I Got a Cold for My Birthday.” - Maxwell

Day 5: Rouge Organ (tonsils, spleen, appendix, gall bladder ect…) Alt 5: Doctor’s Note - Winona/Genny

Day 6: Dizziness/Vertigo - Wheeler

Day 7: Borrowed Hoodie - Wilson/WX-78

Day 8: “The closest doctor is probably hours away from here!” - Wickerbottom & The Kids

Day 9: Overdramatic Patient/Caretaker - Wigfrid/Wes

Day 10: The Sniffles ™ - WX-78/Wilson

Day 11: Medieval Treatment - Wonkey

Day 12: “You’re not fine, you’re throwing up/coughing up a lung” - Wolfgang

Day 13: Mononucleosis Alt 4: Flushed Cheeks - Wormwood

Day 14: Clean Sheets/Fresh Pajamas - Walter & Woodie

Day 15: "Who decided __ is ‘sick people food?’" - Warly & Woodie

Day 16: Toxin/Poison - Wilson/WX-78

Day 17: Brain Fog/Spaced Out - Wilba

Day 18: “My whole body is one big ache.” - Wendy & Maxwell

Day 19: Hypochondriac Tendencies - Wigfrd

Day 20: Medication Bribery - Wurt & WX-78

Day 21: Anaphylactic Response Alt. 3: First Aid Kit - Walani

Day 22: “You didn’t use my cup, did you?” - Reader & Maxwell

Day 23: Under a Spell - Wortox & Willow

Day 24: Tales From the Waiting Room - Woodie

Day 25: Summer Flu - Wendy & Wigfrid

Day 26: Heart Condition/Cardiac Arrest Alt 1: Hospital Bed - Wagstaff & WX-78

Day 27: incomplete

Day 28: incomplete

Day 29: Sick on a Road Trip - Willow

Day 30: Past Prompt of Your Choice! - incomplete

[feminismisstillahatemovement]

I saw that you momentarily reblogged pornography earlier today with a vile, vindictive comment about how “Dolly Parton really is looking amazing for her age.”

You’re just a disgusting porn-addicted man with a fetish for belittling women. You feel sexual pleasure from demeaning and subduing women, as indicated by your obsession with disparaging women’s movements.

You do not hate feminism; your entire persona depends on it. You love it. You have the mindset of a slave that can only exist within a sphere of oppression; your existence depends on some “Other.” Your existence depends on women acknowledging you in a negative light because your only pleasure is derived from causing her misery. How pathetic. You are incredibly unmasculine.

Well, first off, what you are describing as 'pornography' was a funny set of gifs I saw when I clicked on an account of someone who'd liked a post of mine, of a fully-clothed large-bosomed young woman in a tight-fitting sparkly dress who bore a strong resemblance to Dolly Parton jiggling her boobage, so I reblogged with the joke that Dolly looked great for her 78 years, bless her, etc. After doing so, I thought maybe it wasn't that good a joke and was also mindful of what most people follow this blog for, and hence that it maybe wasn't the right time, place or crowd, so I deleted it.

As for the rest of this bizarre nonsense, all of this is entirely the projection onto someone else of whatever is going on in your own mixed-up mind and beliefs:

"You feel sexual pleasure from demeaning and subduing women, as indicated by your obsession with disparaging women’s movements."

There's nothing about the beginning of that sentence that sensibly connects to the end of it: an individual's personal sexual life and preferences cannot be reliably predicted from their embracing or rejecting of a set of political, religious or philosophical beliefs. There seem to be a great many feminists who are privately titillated by bondage and force and subjugation, but we only know that from them telling us so themselves: it would be an extremely bad idea to assume every woman who loudly proclaims her support for women's rights has a rape fetish.

Clicking on your blog, it's impossible not to notice that you are rabidly obsessed with pornography and male desire and power dynamics and suchlike, but I genuinely don't feel confident predicting anything about what you do to yourself or someone else when you are in bed of an evening. So that's where we differ.

"You do not hate feminism; your entire persona depends on it. You love it."

Then I'm not doing a very good job of showing it.

"You have the mindset of a slave that can only exist within a sphere of oppression; your existence depends on some “Other.”"

All I do here is speak out against the divisive and destructive mindset of modern, neo-Marxist woke identity politics, which divide us up into perpetually warring classes, and about how continually framing ourselves as oppressed underclasses being daily victimized by our neighbours will only end up destroying the fabric of western civilization and maybe the entire human race. That would seem to run contrary to what you here claim.

"Your existence depends on women acknowledging you in a negative light because your only pleasure is derived from causing her misery."

Me politely debunking your silly secondhand positions on the images used by advertising departments on the covers of romance novels is not me intentionally causing you misery; I'm genuinely just trying to help by steering you back to reason and reality. Once again, you are projecting onto someone else motives, desires and intentions that you're not in any position to know, and that don't logically follow from what you do know.

"How pathetic."

Hey, at least I never send crazy hatemail to strangers on the internet, right? That'd be really sad. Wouldn't it.

"You are incredibly unmasculine."

I am incredibly unbothered by that.

[zegas]

I've been dreaming of a Joe Kubert collection featuring his Golden Age Hawkman work for a minute. Very little of it has been reprinted here & there, and good luck finding/affording the original issues. 

Imagine my surprise and sheer delight to discover this 70s fanzine-looking square bound index of Golden Age Joe Kubert comics. The store's sticker described the contents as "surprisingly good reprints" ...and at a glance they were. Even if the reprints weren't great, I probably would've bought this thing for the novelty anyway. Something didn't seem right when I cracked it open, though, the stuff looked a little wobbly, a little off. And yet, it still looked complete. I couldn't figure out what was wrong about it.

Then I read the introduction and couldn't believe what the catch was. I had to read it twice to make sure I understood it correctly. The author, Al Dellinges, had *redrawn* every piece in this book. Dellinges was an obsessive list-making human Xerox machine. I'm not sure what his process was (did he lightbox the original comics or just eyeball it... and what about the lettering??) but he must've owned or had access to all of the Kubert comics from the era. This might be an interesting exercise for a page or two. But 120 pages? That is an unprecedented level of mania. I can appreciate the intense devotion to the subject, trying to catalog all of that delicate data - the brush lines, the style development, the stories -  before it's all completely erased from existence. Dellinges' mission is beautiful, in a way, and it's completely bonkers.

Look closer, dear reader, there's a catalogue page at the end of this book. That means there are more of these types of books. Was this a normal thing back in '78? Joe Kubert was apparently impressed enough with this project that he had Dellinges help out with some TOR material (to what degree, I'm not sure; Dellinges ultimately never really worked in comics.)

As it stands, I'm charmed and confused by this strange artifact. It's like an amateur cover band re-recording an established band's earlier rarities note for note. But hey, I got a Golden Age Joe Kubert book after all.